Let’s appearance again at the technology when WB stars, Josh Hartnett, and self-conscious slashers had been the regulation of the land. Poster
The Nineteen Nineties were an thrilling time in hPoster orror. After the growth of the primary slasher cycle in the Seventies and 80s, the main trend in horror fizzled out Poster with out a clear successor to take its spot. Of course, it wasn’t all bad. If you an count on one element from horror, it is that the genre will usually endure. Fascinating horror movies popped up from around the globe; genre-bending thrillers were having a second, and Stephen King variations were within the midst of a heyday, however the first 1/2 of the last decade turned into a transitional period for the genre because it came down from the dominance of the franchise-fuelled dominance of the 80s. The J-Horror increase changed into nevertheless years away (and a few years even in addition earlier than it reached American audiences at large), the container office increase of “torture porn” changed into a long way within the distance, and it wasn’t till the latter half of the 90s that filmmakers observed a manner to faucet lower back into passion of young people audiences, with a rapid-fireplace string of horror movies aimed squarely at Poster youngster audiences.
1996 became the definitive yr, with the release The Craft, and greater importantly, Scream, which rewrote the rule of thumb book for cutting-edge horror movies and single-handedly revived the slasher style. After that, the youngster horror got here rapid and livid, transposing Scream’s format across horror genres; be it alien invasions, urban legends, or brain-washing. But notwithstanding the situation count number or the filmmakers (though an entire lot of them came from screenwriter Kevin Williamson), the youngster movies shared sure sensibilities. They had soundtracks full of 90s alt-rock hits, and casts that had been even more full of recognizable TV stars, specifically the ones from the youngster-centric The WB. They additionally, by means of and massive, shared a few informal misogyny and stressful attitudes closer to sexual assault, however it is no longer sudden for the cultural attitudes of the times, and certainly, it changed into reflective of the teen target audience, which changed into dealing with a especially dark period in American youth.
A few notes on the movies you may and could no longer locate underneath. Technically, the 90s style teenager slashers lasted into the early 2000s, however this is 90s centric, so that you might not discover Final Destination, Valentine, or Cherry Falls on this listing. They’re solid from the equal mould, however this listing is timeline restricted. Further, the 90s become a proud time for the thriller genre, and a time while the lines among the 2 genres were plenty extra clear. With that in mind, you may not locate films like The Crush, Fear, or Wicked, which are teenager-orientated movies inside the way of life of the erotic mystery, or films like Dead Man’s Curve and Teaching Mrs. Tingle, the latter of which has usually been looped in with the 90s youngster horror cycle, but is decidedly a thriller regardless of how a lot of a fabulous monster Helen Mirren makes. Finally, this listing is past due-90s centric because it really is when the teenager trend Poster took off. There are technically youngster horror films from the decade that preceded that date (Popcorn, Freddy’s Dead), however they do not represent the fashion we are discussing right here, and it’d simply be a stretch to name them iconic.
As a personal aspect be aware; these types of movies had been formative to me. Maybe I’m too near them. I’ve ranked and re-ranked them, however there is no way across the truth that the 90s teen horror surge was a moment that defined me as a genre fan. I’ve performed my high-quality to rank them objectively, but surely, these kind of movies feel like great buddies to me, which makes objectivity a chunk tough.
With the technicalities out of the way, let’s get down to it. Here are the most iconic teen horror films of the 90s, ranked from worst to great.
For greater horror ratings, take a look at out our lists of the Top 50 horror films of the 90s, pinnacle 80s horror films, and top 70s horror movies.
12. The Rage: Carrie 2 (1999)Image through MGM
Director: Katt Shea
Writer: Rafael Moreu
Cast: Emily Bergl, Jason London, Mira Sorvino, Amy Irving, Zachery Ty Bryan, Dylan Bruno, J. Smith Cameron, Rachel Blanchard
On paper, the brainchild of Poison Ivy director Katt Shea and Hackers screenwriter Rafael Moreu seems like it might be an final 90s B-movie marvel, however The Rage: Carrie 2 is in no way outrageous enough to stay up to those titles, and in no way thoughtful sufficient to carry at the Carrie mantle.
A pretty vapid spin on Stephen King’s traditional story of a telekinetic outcast bullied into a murderous frenzy, The Rage follows Rachel Lang (Bergl), a teenage woman attending Bates High a few twenty-plus years after the activities of the original, who discovers risky talents of her own after her satisfactory pal’s suicide. Amy Irving returns as Sue Snell, who now works as a school counselor and tries to prevent tragedy when she sees the harmful signs once again, and because the most effective actor from the original to reprise her function, her welcome presence isn’t sufficient to make The Rage feel rooted in the identical international.
Drawing freely from the actual-existence trauma of the Spur Posse intercourse scandal, The Rage is essentially what happens when you are taking Carrie, graft a well timed but sloppy sexual assault narrative into it, and replace all of De Palma’s breathless paranoia with the barebones plot of She’s All That.
eleven. I Still Know What You Did Last Summer (1998)Image via Columbia Pictures
Director: Danny Cannon
Writer: Trey Callaway
Cast: Jennifer Love Hewitt, Freddie Prinze Jr., Brandy Norwood, Mekhi Phifer, Matthew Settle, Jeffrey Combs, Jack Black, Jennifer Esposito, Muse Watson
In addition to its baffling identify, I Still Know What You Did Last Summer is this sort of dud as it doubles down on all the worst components of the first movie and brings nothing new to the desk. Well, it brings a dreadlocked Jack Black, but I’m pretty positive nobody requested for that.
With the franchise’s maximum interesting characters killed off inside the first movie (and with out the necessary 90s teenager horror stylings of Kevin Williamson), we’re left with Julie (Hewitt) and Ray (Prinze), who remain about as interesting as white bread and mayo, if white bread whined lots and mayo was condescending asshole. They’re joined by using beginners Karla (Norwood) and Tyrell (Phifer), who’re possibly meant to fill the appeal vacuum left at the back of without Helen and Barry, except Karla is never given the person improvement Helen changed into afforded and Tyrell basically capabilities as a walking boner. Finally, there may be Will (Settle), Julie’s ability new suitor, who is someway even much less appealing than Ray. What I’m pronouncing is those are without a doubt now not the humans you want to get caught on an island with.
Too horrific, because the island setting is one of the few elements of I Still Know that plays; a amusing improve on the fishing town aesthetic of the first movies. But the Brazilian locals are little extra than meat for the slaughter (and are distractingly American), killed off for short and smooth carnage sweet, and we’re left in the midst of a slasher spree with The Literal Worst and her equally insupportable pals. Tack on one among horror’s most chortle out loud goofy twist endings, and you’ve were given a real doozy of a disappointing sequel.
10. Idle Hands (1999)Image through Columbia Pictures
Director: Rodman Flender
Writer: Terri Hughes, Ron Milbauer
Cast: Devin Sawa, Jessica Alba, Seth Green, Elden Henson, Vivica A. Fox, Jack Noseworthy, Katie Wright, Christopher Hart
Crass and campy proper right down to the bone, Idle Hands’ splendid electricity is that it is aware of exactly what form of film it wants to be and leans all the manner in. What sort of film is that? Gory, immature, and stupid — very silly. 90s staple Devin Sawa stars as Anton Tobias, a lethargic layabout so continuously stoned that it takes him days to understand his dad and mom have been murdered, or even longer to detect that it changed into his very own demon-possessed hand that did the killing. Anton realizes the depths of his quandary ultimately, however no longer earlier than reining in his burnout buddies, played for laughs by Seth Green and Elden Henson, and the gorgeous lady next door (Alba), who might simply end up a hell bride if he can’t find it in himself to get the job carried out for as soon as.
Zipping from side to side between slapstick set-pieces and gross-out gore gags, Idle Hands is a messy, erratic films, however what it suffers from in weird pacing, it makes up for in downright weirdness and zipping, carefree strength. Idle Hands isn’t a super film, however it’s nearly continually a exquisite time.
nine. Disturbing Behavior (1998)Image thru MGM
Director: David Nutter
Writer: Scott Rosenberg
Cast:, Katie Holmes, James Marsden, Nick Stahl, Bruce Greenwood, William Sadler, Katharine Isabelle, Tobias Mehler
Disturbing Behavior begins with punishingly lengthy and stupid credits sequence, and the movie takes a chunk to locate its toes once the movement gets going, but subsequently, it manages to apply acquainted sci-fi horror tropes to rouse up some clever commentary on teenage conformity and the closing parental control settings. A hormone-fuelled replace on The Stepford Wives, set within the halls of a small town excessive faculty, Disturbing Behavior follows jaded youngster Steve Clark (Marsden) to the reputedly idyllic suburbia, wherein the resident rebellious teenagers are transformed into photograph-ideal Rockwellian clones with the aid of the adults. Mother knows nice, after all.
Director David Nutter has gone on to take home Emmys for his directing paintings on Game of Thrones and Band of Brothers, and he brings a number of that style here, but the modifying is ramshackle (it is clean the theatrical reduce is missing key material) and the script would not fare a lot higher. Nobody has an awful lot of a motivation for some thing, be it the best men, horrific guys, and all of the parents Poster stuck in among — Nutter directed for The X-Files before landing this gig, and Disturbing Behavior often looks like an X-Files script that changed into by no means well rounded out to a function film — and at simplest 84 minutes, it simply barely makes the cut.
That stated, Disturbing Behavior truely receives principal factors for iconography. It has an essential 90s teenager horror soundtracks; and no longer simply due to the fact Flagpole Sitta have become a sensation within the lead-up to the movie’s launch. The whole soundtrack is the products. The film changed into additionally a “huge deal” on the time due to the fact Katie Holmes stepped out against type, clean off the breakout achievement of Dawson’s Creek, to play the anti-Joey Potter; a woman wears dark lipstick, suggests off her belly, and skips bras totally. Indeed, Disturbing Behavior has some stressful ideas approximately girls’s bodies, which includes a groping scene it is reliable belly-churning, however it’s an trouble for an entire other article.
eight. Urban Legend (1998)Image thru TriStar Pictures
Director: Jamie Blanks
Writer: Silvio Horta
Cast: Alicia Witt, Jared Leto, Tara Reid, Rebecca Gayheart, Michael Rosenbaum, Joshua Jackson, Loretta Devine, Robert Englund, Danielle Harris
Urban Legend is a stable meat and potatoes slasher film, brazenly carved inside the picture of Scream however with a smart enough hook to face on its personal. Set in a sleepy university town, the movie follows Natalie Simon (Witt), a nothing-burger of a very last girl who realizes that her fellow college students are being murdered in approaches that fit famous city legends. You recognize the one… Whether it is surgically stolen kidneys, a bloody message written at the wall, or the sound of feet scratching towards a automobile roof; Urban Legend has a blast reimagining those well-known memories of terror into slasher set portions.
The movie also boasts a first-rate 90s solid; consisting of a submit-My So-Called Life, pre-insufferable Jared Leto, Dawson dreamboat Joshua Jackson, a notable use of Rebecca “Noxema Girl” Gayheart, or even Tara Reid is at her high-quality as the local college radio DJ. Urban Legend additionally dips a toe (or a foot) into slasher homage with cameos from horror regulars Robert Englund (A Nightmare on Elm Street), Danielle Harris (Halloween) and Brad Dourif (Child’s Play). Director Jamie Blanks could pass-on to make Valentine at the tail give up of the second youngster slasher cycle, and each films stand the take a look at of time as pleasing entries within the style, despite the fact that they never pretty live as much as the promise of their conceptual hooks.
7. Bride of Chucky (1998)Image through Universal Pictures
Director: Ronny Yu
Writer: Don Mancini
Cast: Jennifer Tilly, Brad Dourif, John Ritter, Katherine Heigl, Nick Stabile, Alexis Arquette
The Chucky franchise has endured longer than any of its OG slasher friends. While Michael and Jason had been reborn and reimagined over and over, the Child’s Play movies have resisted remakes and reboots; debuting in the first slasher cycle, surviving the dead years of the early 90s (and later, the early aughts), shooting up within the 2d cycle, and nonetheless going to at the moment. It’s marvelous, and it’s no mistake. There are a couple key motives for Chucky’s persistence — not least of that’s the reliable return of key solid participants and the consistent hand of returning writer Don Mancini — but mainly, Chucky films are resilient due to the fact they may be always evolving and fearlessly attempting new hints.
Bride of Chucky is the franchise’s maximum marvelous show of that elasticity; a film that by some means each performs through the rules and reinvents the sport. While every new Chucky movie made positive to shake matters up a bit, Bride of Chucky became the first to absolutely innovate the Child’s Play mythology through introducing Jennifer Tilly’s Tiffany and the concept of multiple residing dolls. At the identical time, Mancini’s script deftly responded to the creative climate surrounding the movie and Bride of Chucky is a exceedingly put up-Scream slasher. It delivered self-conscious comedy to the franchise, and at the same time as there was no shortage of that comedic facet in late-90s horror, who higher to rattle off snarky meta one-liners than a nasty-mouthed little bastard like Chucky?
Bride of Chucky also plays to the youngster crowd with the creation of Katherine Heigl and Nick Stabile’s head-over-heels pair of high college runaways, but there may be a purpose the meta-humor caught and the teenagers did not — they may be simply kind of stupid. But massive credit is going to Mancini for taking the teenager dynamic and making it in shape a Chucky Poster movie, in preference to the alternative manner round. Bride of Chucky is the instant where you see a franchise acknowledge the converting tastes in audiences and evolve to maintain up with them, without dropping the persona that made it special within the first region.
6. I Know What You Did Last Summer (1997)Image via Columbia
Director: Jim Gillespie
Writer: Kevin Williamson
Cast: Jennifer Love Hewitt, Sarah Michelle Gellar, Freddie Prinze Jr., Ryan Phillippe, Bridgette Wilson-Sampras, Anne Heche, Muse Watson
I Know What You Did Last Summer is one of the nearest and dearest to my coronary heart on this list and a main affect in how I discovered to like horror films, but the movie itself doesn’t completely keep up to the fond reminiscences. It’s biggest flaw is mistakenly thinking that Julie James (Hewitt) is the lead when Helen Shivers (Gellar) is surely the more interesting and exciting person. Well, that and the pacing, which is sincerely insane.
Nothing frightening takes place for a incredible amount of I Know What You Did Last Summer. The first fifteen mins are a prolonged prologue; the sort of inciting incident that units the level for massive scares, but the ahead time leap means the following fifteen mins are spent setting the degree as well. When the scares do come, they’re notably tame — spooky letters and undesirable haircuts — till about the movie’s midway mark, when things sooner or later get going and I Know What You Did Last Summer earns its keep as arguably the second most iconic youngster slasher of the 90s. Of route, this is also the factor wherein the movie turns its interest to Helen, and her extended centerpiece from the Croaker Pageant to the mannequin-coated flooring of the branch store is an all-timer in leading up to a slasher kill.
Unfortunately, the relaxation of the film does not pretty live as much as the nostalgia for it, lagging too regularly and relying on its teenager superstars to carry the weight of characters that through and huge, just are not there. The script comes from Scream screenwriter and 90s horror mainstay Kevin Williamson, but it’s enormously much less witty than his other fare, gambling the scares straight to inferior impact. Even with its flaws, I Know What You Did Last Summer is undeniably a key have an impact on on the second one slasher wave and an entertaining bare-bones slasher movie in its very own right, not to mention boasting some ideal 90s fashion to boot.
5. Scream 2 (1997)Image via Miramax
Director: Wes Craven
Writer: Kevin Williamson
Cast: Neve Campbell, Liev Schreiber, Courtney Cox, David Arquette, Jamie Kennedy, Jerry O’Connell, Laurie Metcalf, Elise Neal, Timothy Olyphant, Joshua Jackson, Rebecca Gayheart, Portia De Rossi, Sarah Michelle Gellar, Jada Pinkett Smith, Heather Graham, Tori Spelling
If you are looking for the maximum iconic cast in 90s horror, Scream 2 has were given to take the cake and fortuitously, it really is now not the only aspect this unreasonably precise slasher sequel has to offer. Scream crew Wes Craven and Kevin Williamson reunited for the observe-up film, which hit theaters a 12 months after the original debuted, similarly cementing the franchise because the single most defining innovative component in the 90s teen horror wave.
The sequel selections up with Sidney and the relaxation of the surviving Woodsborough clan a 12 months after the awful activities of the primary movie, transporting the drama to the nearby university in which the throughline of innovative remark takes on literature and theater further to cinema. Scream 2 doubles down on the meta-humor, which include a literal spherical of self-evaluation wherein a class of college film students debates the merits of sequels, but it additionally enacts the more is more demands of a sequel in its execution, serving up bigger scare portions and, of path, extra “carnage sweet”.
Slasher sequels are notoriously negative in excellent, however Craven and Williamson manage to avoid the entice by adding new layers to their remark in addition to the bigger frame rely. Craven is quick to remind why he’s a master of the genre with out a much less than 5 definitely pulse-pounding set-pieces packed in (my private favorite being the chase scene within the recording studio and Sid’s police vehicle escape). He even has the heart to kill off a beloved individual in full daylight hours. Scream 2 would not stay up to the innovation and excellence of the primary movie, but it stands out in its very own right as now not just the definitive slasher sequel, however a tremendous horror movie duration.
four. Halloween H20: 20 Years Later (1998)Image via Dimension Films
Director: Steve Miner
Writers: Robert Zappia, Matt Greenberg
Cast: Jamie Lee Curtis, Josh Hartnett, Michelle Williams, Adam Arkin, Janet Leigh, Jodi Lyn O’Keefe, Adam Hann-Byrd, LL Cool J, Joseph Gordon-Levitt
Halloween H20 is not handiest the first-rate Halloween sequel (fight me), it is also a very effective horror movie in its personal proper, and the right overlap between the first and 2nd slasher cycles. Released 20 years after the authentic Halloween (for this reason the unforgivable identify), Halloween H20 ultimately brings Laurie Strode (Curtis) back into the photo, catching up with the quintessential very last female as a grown woman, a mother, and the dean of a North California private college where Michael Meyers returns all over again for a new Halloween slaughter.
H20 is captivating because it is in reality a reaction to Scream (Scream 2 may even be seen in the historical past of a scene, demonstrating how wildly speedy those films came out as soon as the trend kicked off), and the teen cast turned into touted as a big promoting point for the movie. However, it’s also truely a Halloween sequel, rooted inside the way of life of conventional slasher films, and directed by the man in the back of Friday the thirteenth Part 2 and Part III, no less. It even has the literal mother of all horror cameos with Curtis’ mom and horror legend Janet Leigh acting in the movie. Basically, this component’s were given style bonafides out the wazoo.
But it’s now not a resume that makes a movie extremely good, it is the execution, and even as H20 may also spend an excessive amount of time on teenager romances, the young adults themselves are pretty likable and human, and each scene with Laurie Strode is a gem. She’s the ultimate hardened horror survivor and whilst she is going up towards her biggest worry, it’s a payoffa long time in the making (And it’d were a rattling proper one too if Resurrection had come along and boffed it all.) Perhaps best of all, H20 is old style in its method to scares; much less interested in outsmarting its target market that lining up the pieces and knocking them down with a extraordinary sharp kitchen knife.
three. The Craft (1996)Image through Columbia
Director: Andrew Flemming
Writers: Peter Filardi, Andrew Flemming
Cast: Robin Tunney, Fairuza Balk, Neve Campbell, Rachel True, Skeet Ulrich, Breckin Meyer, Christine Taylor
As the best film in this listing to hit theaters earlier than Scream, The Craft managed to faucet into the equal fashion and sensibilities of the 90s teen target audience (heck it even has two of the same leads) without having its essence defined by Scream’s pervasive genre have an impact on. That makes it some thing particular and sincerely special inside the lot; a film that exists in its personal proper as opposed to a response to a burgeoning fashion.
The Craft follows 4 teenage outcasts who find out a powerful connection to the occult while they are united to call the corners, and find out that when they abuse that power, it leads to dire effects in a rush. The clever script from director Andrew Flemming and screenwriter Peter Filardi approached those classes through the commonplace concerns of youth — the want to be ordinary and desired, and all of the ways teens use looks, race, reputation, or family profits to isolate and abuse their friends. In that regard, The Craft is a timeless story, despite the fact that its finger is firmly at the 90s pulse of favor, music, female energy, and witchcraft, which become trendier than ever in tradition, be it on TV (Sabrina the Teenage Witch, Buffy the Vampire Slayer, Charmed) or in movies (Practical Magic).
Like maximum 90s fare, it has some tough edges in relation to topics of gender and sexual assault, however greater than twenty years later, The Craft is still an effective coming-of-age tale and party of individuality over groupthink. And it’s also nevertheless creepy as well at factors, particularly when you have a fear of snakes. There’s a motive The Craft remains a sleepover critical.
2. The Faculty (1998)Image through Miramax Films
Director: Robert Rodriguez
Writer: Kevin Williamson
Cast: Josh Hartnett, Elijah Wood, Jordana Brewster, Clea Duvall, Laura Harris, Shawn Hatosy, Salma Hayek, Famke Janssen, Bebe Neuwirth, Robert Patrick, Jon Stewart, Usher Harris, Piper Laurie
Yet some other win from 90s youngster screenwriter in chief Kevin Williamson, The Faculty fused Williamson’s knack for snappy youngster drama with Robert Rodriguez’s subversive camp to remarkable outcomes. It’s clever without ever taking itself too critically and campy with out ever losing its cool, drawing proudly from the lifestyle of conventional alien invasion films and casting them inside the 90s teenager culture.
Set inside the dingy halls of a high faculty dominated through disaffected youths, The Faculty finds a ragtag bunch of classmates from across the social spectrum teaming up to prevent an alien invasion that turns its hosts into senseless drones. The solid is a selected pride in The Faculty, nicely balanced among teenage heartthrobs, cool youngster cred, and a amazing person cast that continually comes into play simply in time for a good snort or a good better scare. It’s The Breakfast Club by means of way of Invasion of the Body Snatchers, with a heavy helping of The Thing, and with Rodriguez bringing his love for B-films and a few amazing production price to the desk, it deserves to be remembered alongside the nice of the last decade.
1. Scream (1996)Image thru Miramax
Director: Wes Craven
Writer: Kevin Williamson
Cast: Neve Campbell, Drew Barrymore, Skeet Ulrich, Matthew Lillard, Courtney Cox, Rose McGowan, Jamie Kennedy, David Arquette, Henry Winkler
It’s impossible to overestimate how an awful lot of an effect Scream had at the horror style whilst it hit theaters in 1996. At the time, the slasher genre changed into dead. Aside from the regular circulation of subpar ongoing franchise sequels, the style changed into washed up and dried out. Until Wes Craven and Kevin Williamson got here alongside and gave the horror genre a natural shot of adrenaline with style and clever reinvention.
In writing, there may be a common pronouncing that you have to recognise the regulations before you may damage them, and Scream is the ideal cinematic instance of that edict. Craven is a grasp of the genre; a man who famously reinvented the landscape more than one instances over the course of his career, and as the person in the back of A Nightmare on Elm Street, he became well-versed the regulations of first-generation slashers, understanding exactly while to bob and exactly while to lean into a punch.
Set in a California high faculty wherein the teenagers reference movie tropes as freely as a trivia night time champion, Scream units unfastened the long-lasting Ghostface on Sidney Prescott (Campbell), a teenage lady mourning the violent rape and homicide of her mom a year earlier. Craven takes time to tee up his characters, and put money into Sidney’s struggles, but he by no means we could sentimentality overwhelm the short-moving action of the narrative or sap the existence out of Williamson’s snappy speak. It’s a perfectly measured balance, dodging tropes as plenty as it embraces them, and continually ensuring to live one step in advance of its smart audience, which it wisely recognizes is just as properly versed inside the genre as its characters.
The beginning scene is an all-time notable inside the records of horror; a real intestine punch that Poster shall we the target audience recognise they recognise not anything at all, putting forward from the get-cross that Scream is out for blood and it has all the right movements. That breathless wit survives all the manner to the subversive finishing, which without difficulty bucks half-fashioned criticisms that the movie is essentially as conservative as its predecessors. Scream is constructed from the pieces of horror’s records, but it stays precise, and a formative shift in horror’s voice this is nonetheless heard loud and clean to at the present time.
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About The Author
Haleigh Foutch(3281 Articles Published)
Haleigh Foutch is a writer, editor, host, actor, and cat fanatic primarily based in Los Angeles. She’s currently Senior Editor of Content Strategy and Analytics at Collider, where she’s been mountain climbing the ranks and screaming approximately the unsung genius of Grosse Pointe Blank for nearly a decade. She also oversees Collider’s horror content and co-created The Witching Hour podcast, formerly regarded as a normal panelist on Movie Talk, and has written for Rotten Tomatoes, Complex, Birth.Movies.Death., and extra. You can usually find her sharing Buffy the Vampire Slayer memes on Instagram, rehearsing the Five Movements from The OA, and asking human beings approximately their pets.
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